la isla minima posterLa Isla Mínima (The Marshland)

Directed by Alberto Rodríguez

Showing at the Guild Cinema on Saturday, September  19th at 5PM

 

La isla mínima won thirteen prizes at Spain’s Goya Awards, including Best Film, Best Director, Best Cinematography, Best Score and Best Screenplay.

Director Alberto Rodríguez takes us to the territory of his home, where he was born and raised: Andalucía – the deep south of Spain. He takes us there for a mysterious thriller that takes place in 1980. Two detectives with different opinions on how to treat their work unite to investigate the murder of two young women in town. The texture of the film along with the small town mystery and the southern landscape is reminiscent of the first season of True Detective. The artistic aesthetic of the frames were inspired by the photography of Atín Aya. Not only does this film thrill, but it connects to history and politics.

One of the detectives is older than the other, and his style is stuck in the days of Franco’s brutal regime, which is now supposedly finished, although so many of its remnants hang linger above the rural roadways fo the town like gossip and dust in the heat. One of the directors stated linkages with the Franco regime is the state’s poor treatment of women and misogyny that prevailed during the Franco era, but is by no means gone from the culture. As the two detectives, from two distinct epochs of Spain’s recent history, attack the truth of the crimes against these young women, truths about the nature of the community also come to light.

One of Spain’s most celebrated films in recent memory and one that has had a strong reception here in the US, La isla minima is not a film you should miss. Showing at the Guild Cinema on Saturday, September  19th at 5PM. See you all there!!

Published in Films
Tuesday, 09 September 2014 12:55

What Makes a Film Festival Latino?

During the second annual Cine Magnífico Latino Film Festival, we will all be presented with and reminded of images, sounds and textures of Latin America.  But, in the process, we will also be presented with conflicts that are central to all forms of art and human experience.  

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“Bad Hair”, “The Golden Dream”, “Anina” and “School Days” are just a few examples of how this year’s films take on the conflicts of youth and coming-of-age.  “The Lock Charmer”, “My Straight Son” and “Spanish Affair” showcase the power of love and romance to transcend culture and political boundaries.   

This cultural-political entity that we call Latin America is infinitely diverse, and the wide variety of settings and characters employed in this year’s film line up serves as a testament to that diversity.  That being said, however, there is certainly a sense of what it means to be Latino or Latino American, especially here in the U.S. where cultural lines often become blurry and personal identities difficult to define.  In this way, our collective experience at this year’s Latino Film Festival will not necessarily be centered around defining what makes a film a Latino film, or even in the broader sense, what makes a person or a community Latino. 

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Rather, Cine Magnífico Latino Film festival, supported in conjunction with Instituto Cervantes, the National Hispanic Cultural Center and the Latin American & Iberian Institute, is a festival that celebrates art and humanity.  While the film lineup is, in part, affected by political boundaries that define what is Latin America, the cultural boundaries that all of us experience on a daily basis are far more fluid than national borders, and rather than centering around nationality or even language, which can serve as agents of division, art and culture are often centered around universal emotions and desires that bind us together. 

Rebecca L. Avitia, Executive Director of the National Hispanic Cultural Center, beautifully remarked for our blog that “film has the unique ability to transcend the boundaries of culture and language and show that we all have common experiences,” adding that “this year’s extraordinary lineup of films is further proof of that.”  We look forward to this year’s Cine Magnífico Latino Film Festival to be a community spectacle in all senses of the term: a place where people convene to enjoy film, together.        

 

Published in Festival